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Wolf Solent
Wolf Solent
is the first of the great novels of John Cowper Powys
and caused quite a stir when
it debuted in 1929, garnering praise from many of the
top writers of the day including Conrad Aiken and
Theodore Dreiser. Wolf Solent has been
frequently published in Britain and America from 1929
onwards, notably in paperback by Penguin in Britain.
In it the title character
returns to the Wessex countryside, which remains steeped
in mysticism and romance.
The novel is a momentous piece of work . . . of
transcendent interest and great beauty.
—
The New York Times Book Review
A Glastonbury Romance
Described as "the only novel produced by an English
writer that can fairly be compared with the fictions of
Tolstoy and Dostoyevski" by George Steiner in ‘The New
Yorker’ and “The book of the century” by Margaret
Drabble in ‘The Telegraph’. John Cowper Powys has been
acclaimed by some of the greatest minds of the past
century, from Henry Miller (‘my first living idol’) to
George Steiner (‘supreme in English fiction after
Hardy’) to Robertson Davies (‘a great writer’). A
Glastonbury Romance, first published in 1932, is
regarded by many as his masterwork, an epic novel of
terrific cumulative force and lyrical intensity. In it,
he probes the mystical and spiritual ethos of the small
English village of Glastonbury, and the effect upon its
inhabitants of a mythical tradition from the remotest
past of human history - the legend of the Grail. Powys's
rich iconography interweaves the ancient with the
modern, the historical with the legendary, and the
imaginative within man with the natural world outside
him to create a book of astonishing scope and beauty.
A truly extraordinary novel. It stands out indeed in a
most astonishing way from the great mass of present-day
fiction: a very earthquake of a book, bewildering, if
you like, shocking, even infuriating, yet incontestably
great.... It is a big book, an important book.
— The Times
Weymouth Sands
Powys tells the story of Jobber Skald - a large,
somewhat brutish man, obsessed with the urge to kill the
local magnate of the town because of the man's contempt
for the workers of the local quarry - and his redeeming
love for Perdita Wane, a young girl from the Channel
Islands. Weymouth Sands boasts a striking
collection of human oddities including a famous clown,
his mad brother, a naive Latin teacher, a young
philosopher, and an abortionist.
It brings to mind the ... the romantic ferment of the
film 'Les Enfants du Paradis' or ... one of the works of
J.M.W. Turner.
— The Observer
Maiden Castle
At the centre of the novel is the aptly named Dud
No-man, a historical novelist widowed after a yearlong
unconsummated marriage to a woman who continues to haunt
him. Inspired by pity and his own deep loneliness, Dud
takes Wizzie Ravelston, an itinerant circus performer,
into his home and heart. Their awkward yet endearing
efforts to create a life together unfold in counterpoint
to the romantic and familial relationships that sizzle
and simmer in the village of Dorchester. Yet even as the
characters in Maiden Castle struggle with the
perplexities of love, desire and faith - readjusting
their sights and affections - it is the looming fortress
of Maiden Castle that exerts the otherworldly force that
irrevocably determines the course of their lives.
His sense of encompassing nature and the living
ever-present past, his power to convey curious states of
mind, the beauty of his best writing, the exciting,
erotic and cosmic scenes with which he alleviates his
cosmic conceptions, could only come from a man possessed
of superlative talent, genius, or (the word is
inescapable with Powys) daemon.
— Times Literary Supplement
Owen Glendower
It is the year 1400, and Wales is on the brink of a
bloody revolt. At a market fair on the banks of the
River Dee, a mad rebel priest and his beautiful
companion are condemned to be burned at the stake. To
their rescue rides the unlikely figure of Rhisiart, a
young Oxford scholar, whose fate will be entangled with
that of Owen Glendower, the last true Prince of Wales -
a man called, at times against his will, to fulfill the
prophesied role of national redeemer. Psychologically
complex, sensuous in its language, vivid in its
evocation of a period shrouded by myth, ‘Owen Glendower’
tells a compelling story of war, love, and magic.
One of the most fascinating of all historical novels
about one of the most tantalizing of historical figures.
— Jan Morris
Porius
"Porius stood upon the low square tower above the
Southern Gate of Mynydd-y-Gaer, and looked down on the
wide stretching valley below." So begins one of the most
unique novels of twentieth-century literature, by one of
its most ‘extraordinary, neglected geniuses,’ said
Robertson Davies of John Cowper Powys.
Powys thought Porius his masterpiece, but because of the
paper shortage after World War II and the novel's
lengthiness, he could not find a publisher for it. Only
after he cut one-third from it was it accepted. This new
edition (Overlook, 2007) not only brings Porius back
into print, but makes the original book at last
available to readers.
Set in the geographic confines of Powys's own homeland
of Northern Wales, Porius takes place in the course of a
mere eight October days in 499 A.D., when King Arthur -
a key character in the novel, along with Myrddin Wyllt,
or Merlin - was attempting to persuade the people of
Britian to repel the barbaric Saxon invaders. Porius,
the only child of Prince Einion of Edeyrnion, is the
main character who is sent on a journey that is both
historical melodrama and satirical allegory.
A complex novel, Porius is a mixture of mystery and
philosophy on a huge narrative scale, as if Nabokov or
Pynchon tried to compress Dostoevsky into a Ulyssean
mold. Writing in The New Yorker, George Steiner has said
of the abridged Porius that it "combines [a]
Shakespearean-epic sweep of historicity with a Jamesian
finesse of psychological detail and acuity. Faulkner's
Absalom, Absalom!, which I believe to be the American
masterpiece after Melville, is a smaller thing by
comparison."
This new, and first complete, edition of the novel
substantiates both Steiner's judgement and Powys's claim
for Porius as his masterpiece.

AUTOBIOGRAPHY
Published between A Glastonbury Romance and
Maiden Castle AUTOBIOGRAPHY is a vital and
uninhibited self-portrait by one of the major literary
figures of the twentieth century. With unparalleled wit,
candour, and lyricism, Powys, at the age of sixty, set
out to chronicle his life. He wrote: 'I have tried to
write my life as if I were confessing to a priest, a
philosopher, and a wise old woman. I have tried to write
it as if I were going to be executed when it was
finished. I have tried to write it as if I were both God
and the Devil.' AUTOBIOGRAPHY conveys Powys's contagious
excitement of his discovery of books and men and his
unceasing discovery of himself, as well as fascinating
reminiscences of the remarkable journeys, both
geographic and intellectual, of his life. John Cowper
Powys's works have been described as 'the only novels
produced by an English writer that can fairly be
compared to the fictions of Tolstoy and
Dostoevsky...with an immensity to which only Blake could
provide a parallel in English literature' (George
Steiner, The New Yorker). His AUTOBIOGRAPHY is a work
that stands alone in autobiographical literature and is
the one of the most admired of his books.
"I touch here upon what is
to me one of the profoundest philosophical mysteries: I
mean the power of the individual mind to create its own
world, not in complete independence of what is called
"the objective world," but in a steadily growing
independence of the attitudes of the minds toward this
world. For what people call the objective world is
really a most fluid, flexible, malleable thing. It is
like the wine of the Priestess Bacbuc in Rabelais. It
tastes differently; it is a different cosmos, to every
man, woman, and child. To analyse this "objective world
is all very well, as long as you don't forget that the
power to rebuild it by emphasis and rejection is
synonymous with your being alive." P.62
"We are all in secret fighting for our sanity." P.249
"What I really feel is a sickening pity for every
sentient thing, victimized, as we all are, by the great
sadist who created this world." P.455
"If it has happened, by the will of fate, that in your
life the erotic element has not played the dominant part
that it has in mine, you are at once luckier than I have
been and less lucky! You have escaped a great deal of
grotesque tragicomedy, but you have been deprived of
many thrilling and rapturous expectations and perhaps
also a few paradisic fulfillments." P.480
"Our unfortunate human nature has never been subjected
to conditions quite so anti-pathetic to all the most
interesting stimuli to poetic human feeling since the
beginning of the world, as it has been subjected to in
America." P. 494-5
"I consider how my deepest impulses are neither exactly
sadistic nor masochistic or mystical or theatrical or
quite sane or quite mad, that there ought to be coined a
completely new formula for what I am; and perhaps this
is true for every separate living soul." P.604
"What we do is important; but it is less important than
what we feel; for it is our feeling alone that is under
the control of our will. In action we may be weak and
clumsy blunderers, or on the other hand sometimes
incompetent and sometimes competent. All this is largely
beyond our control. What is not beyond our control is
our feeling about it." P.626
Reprints of the first four novels by John Cowper Powys plus the
later Morwyn, Atlantis, The Brazen Head and The Inmates
published in the Faber Finds range during 2008.
To read a short article on The Early Novels of John Cowper Powys
by Morine Krissdottir please click
here
To read an article on The Late Novels of John Cowper Powys by
Morine Krissdóttir
please click
here
Currently in print are numerous volumes of JCP's letters to various
recipients published by
Cecil Woolf Publishers.
BIBLIOGRAPHY
Novels
Wood and Stone
(1915)
Rodmoor
(1916)
After My Fashion
(written 1919, published 1980)
Ducdame
(1925)
Wolf Solent
(1929)
A Glastonbury Romance
(1933)
Weymouth Sands
(1934)
Jobber Skald
(edited version of the above for the UK - 1935)
Maiden Castle
(1936)
Morwyn: or The Vengeance of God
(1937)
Owen Glendower
(1940)
Porius
(1951, restored text 1994, final text 2007))
The Inmates
(1952)
Atlantis
(1954)
The Brazen Head
(1956)
Up and Out
(two novellas) (1957)
Homer and the Aether
(1959)
All or Nothing
(1960)
Real Wraiths
(novella, published 1974)
Two and Two
(novella, published 1974)
You and Me
(novella, published 1975)
Philosophy
The War and Culture
(1914)
The Complex Vision
(1920)
Psychoanalysis and Morality
(1923)
The Meaning of Culture
(1929)
In Defense of Sensuality
(1930)
A Philosophy of Solitude
(1933)
The Art of Happiness
(1935)
Mortal Strife
(1942)
The Art of Growing Old
(1944)
In Spite of: A Philosophy for Everyone
(1953)
Short stories
The Owl, The Duck, and - Miss Rowe! Miss Rowe!
(1930)
Romer Mowl and Other Stories
(1974)
Three Fantasies
- Abertackle, Cataclysm, Topsy-Turvy - (1985)
Literary essays and studies; essays
Visions and Revisions
(1915)
Suspended Judgements
(1916)
One Hundred Best Books
(1916)
Dorothy Richardson
(London: Joiner, 1931)
The Enjoyment of Literature
(1938) (Revised UK version: The Pleasures of
Literature, 1938)
Obstinate Cymric: Essays 1935-47
(1947)
Dostoievsky
(1947)
Rabelais
(1948)
Poetry
Odes and Other Poems
(1896)
Poems
1899.
Wolf's Bane: Rhymes
(1916)
Mandragora: Poems
(1917)
Samphire
(1922)
Lucifer: A Poem
(1956)
John Cowper Powys: A Selection from His Poems Ed.
Kenneth Hopkins. London: Macdonald,
(1964).
Horned Poppies
(1986)
Autobiographical, Diaries and Letters
Autobiography
(1934)
Letters of John Cowper Powys to Louis Wilkinson
1935-1956
(1958)
John Cowper Powys: Letters 1937-54
Ed. Iorwerth C. Peate. (1974)
Letters of John Cowper Powys to His Brother Llewelyn
Ed Malcolm Elwin. 2 vols. (1975)
John Cowper Powy: Letters to Nicholas Ross
(Selected by Nicholas and Adelaide Ross) Ed. Arthur
Uphill. (1971)
Letters to Henry Miller from John Cowper Powys
(1975)
Powys to Knight: Letters of John Cowper Powys to G. R.
Wilson Knight
Ed. Robert Blackmore (1983)
The Diary of John Cowper Powys 1930
Ed Frederick Davies (1987)
The Diary of John Cowper Powys 1931
(1990)
Jack and Frances: The Love Letters of John Cowper Powys
to Frances Gregg
2 vols. Ed Oliver Wilkinson, assisted by Christopher
Wilkinson (1994)
Petrushka and the Dancer: The Diaries of John Cowper
Powys 1929-1939
Ed. Morine Krissdottir (1995)
Powys to Sea Eagle: Letters of John Cowper Powys to
Philippa Powys
Ed Anthony Head (1996)
The
Diary of John Cowper Powys for 1929
Ed Anthony Head (1998)
The Dorset Year:
The
Diary of John Cowper Powys, 1934-1935
Ed Morine
Krissdottir and Roger Peers (1998)
Powys and Dorothy Richardson: Letters of John Cowper
Powys and Dorothy Richardson
Ed Janet Fouli (2008)
Powys and Emma Goldman: Letters of John Cowper Powys and
Emma Goldman
Ed. David Goodway (2008)
Biography
and Critical Studies
The Saturnian Quest
by G. Wilson Knight (1964)
John Cowper Powys, Old Earth-man
by
H. P. Collins (1966)
John Cowper Powys: A Record of Achievement
by Derek Langridge (1966)
The
Powys Brothers A Biographical Appreciation by
Kenneth Hopkins (1967)
John Cowper Powys, Novelist
by Glen Cavaliero (1973)
John Cowper Powys
by Jeremy Hooker. Cardiff (1973)
Recollections of the Powys Brothers
Ed by Belinda Humfrey (1980)
John Cowper Powys in Search of a Landscape
by C.A. Coates (1982)
The Brothers Powys
by Richard Perceval Graves (1983)
The Ecstatic World of John Cowper Powys
(Rutherford, Toronto, London) by Harald Fawkner (1986)
John Cowper Powys's Wolf Solent
Ed by Belinda Humfrey (1990)
I Am Myself Alone: Solitude and Transcendence in John
Cowper Powys
by Janina Nordius (1997)
In the Spirit of Powys: New Essays
Ed Denis Lane. New York (1990)
John Cowper Powys
by Herbert Williams (1997)
Descents of Memory: The Life of John Cowper Powys
by Morine Krissdottir (2007)
A Bibliography of the Writings of John Cowper
Powys 1872-1963. (With a foreword by G.Wilson Knight)
by
Dante Thomas (1975) |